Category: Webcomics

  • This is why I occasionally love Mike Krahulik and Jerry Holkins

    Mike and Jerry will, from time to time, use the Penny Arcade front page as a correspondence hub, sending messages to each other. I found the comic in mid-2003 and fell in love with it almost immediately, but a few short months later they posted this comic about Mike’s attempts to grow a beard, which was accompanied by a news post by Jerry where he described his cohort’s failure of personal hygiene as “sparse, almost theoretical hairs”. I laughed, but not as hard as I laughed at Mike’s response which, spoiler alert, ends on the line “So to recap, my goatee is awesome and Tycho is bald from head to toe like a baby mole.” This, in turn, led to a response from Jerry, which may be described as “biting.” Alternatively it may not be described as that. That’s really on you.

    That moment sticks in the mind, bu perhaps not as much as today’s conversation will. I won’t ruin it for you, but I will say it’s not mean-spirited.

    Read them, top the bottom, in order. Fantastic.

    That is all.

  • If you’re not posting your full comic in your RSS feed, chances are I’m not reading it anymore.

    Webcomics are important. Or at least, they are to me – not just as a source of entertainment but culturally. For the last two decades cartoonists have been able to cut out syndicates and publishers entirely and get their comics out directly to readers, and that is phenomenally important. It means comics are not longer constrained by external editorial forces demanding that they keep their comic simple and homogenized. Dumbing of Age probably wouldn’t run in a newspaper. Girls with Slingshots definitely wouldn’t.

    Unfortunately I’m noticing a growing trend with webcomics of keeping the comic strip out of their RSS feed, replacing it with a tiny, unreadable thumbnail or, in some cases, a simple link.

    If your webcomic’s RSS feed does this, I’m probably not reading your webcomic anymore.

    My morning ritual is simple. I wake up, get out of bed, drag a comb across my head and jump onto my RSS reader to check the sites I follow. It’s nice, simple and convenient – I can read blog posts, news articles and, yes, webcomics without having to have a hundred different tabs open, without having to browse over to each site individually. My RSS reader allows me to quickly digest the online content I want to digest. It’s brilliant, and I’m able to read more blogs, get caught up with more news and read far more webcomics now than I could a decade ago.

    But now that some cartoonists are opting not to include their strip in the feed, I’m simply not reading the comic anymore. It’s easier for me to hit K on my keyboard and skip to the next one than it is to open a tab and check out the comic. I’m not unsubscribed from the feed, so I find myself skipping past a bunch of comics that even as recently as a few short months ago I was reading voraciously, but I am reminded that, yeah, I don’t read that much anymore.

    I don’t begrudge the decision to omit their comics from their RSS feeds. Ultimately they need to get eyeballs on their website so people can see and possibly even click on the ads they’re running, and this won’t adversely impact a comic with a large fanbase like PvP and Least I Could Do because there are enough readers who will click through and read on the website. And yeah, I’ll admit that there are a small handful webcomics that I will click through to read – Penny Arcade, Wasted Talent, and the aforementioned Girls with Slingshots are the ones that come to mind.

    But when your time is limited, when your morning routine is locked to this narrow band of time like mine, eventually you’re just going to stop reading these webcomics because you’re not going to click those links. There is a very small list of people who will click the link to every comic they follow on their RSS reader. Most will be forced to pick and choose what they read. That’s when webcomicry becomes a competition, and it really shouldn’t be.

    One of the last things you want is for someone to stop reading your comic, because that’s one less person who could be buying merchandise, going to book signings, and sharing your work with their friends. But worse than that is having someone stop reading your comic, and realizing they don’t miss it.

    Because if they don’t miss it, they’re never coming back.

  • 2013: The Mayans Were Wrong

    So! So. Lots to do in 2013. Launch PortsCenter. Write and film Dalek Gary. Commence work on at least two other webseries, and polish off a sitcom idea I’ve been sitting on since 2007. That’s not to mention the project I’m pitching to a production company this month – which reminds me, I need to actually start putting together my pitch. Wow. This year is looking pretty busy.

    I want to get out of some bad habits, which means I need to let go of some things. This includes webcomics. I’ve been webcomicing since 2003. My first webcomic, Fried, ran for three years and updated sporadically – even moreso once I realized I actually hated drawing. The second webcomic, Jump Leads, has come to an unceremonious end in part due to troubled art schedules, and Deadlong is on hiatus for similar reasons (though we’re filling the hiatus hole with some new material starting later this month). Other attempts to start webcomics, including a project with my friend Ray, have not been particularly successful.

    It’s taken me a while, but I’ve realized webcomics isn’t where I want to be and it’s not what I want to do. Not to say I don’t enjoy webcomics, but I’ve been focusing my energy in the wrong place, and it’s time to reassess. Once Deadlong is finished, I’m done. Out of the game. Deadlong will be my webcomic swansong.

    I think, truthfully, that I’d prefer to pour my energy into video content, and I want 2013 to be the start of that. I plan on trying to produce original video content throughout the year, starting with PortsCenter , then moving on to other projects. I’m developing a webseries with Mac Beauvais that should be a lot of fun, and I’ll be working with Michelle Osorio on new projects for Kill9 including Dalek Gary and at least one other thing that’s still sort-of in the woiks.

    Another thing I want to do that’s important to me is to the stand-up into a proper paying gig. I need to do that, which means I need to get serious about it. I need to hone my craft, I need to get better at working off-book, and I need to actually book some actual gigs. In addition to this, I want to develop an hour of material over the course of the year which I’d like to debut at GMX Vol. 5, assuming they want me back.

    Time to stop being passive. Time to stop expecting the new year to be a better one, and time to start making it so. Here’s to making things, and here’s to you. Happy New Year.

  • The GMX Files

    Me and a few friends. I promise you I’m not Shopped into this image. [Photo courtesy of WaspPhoto.com]
    Bloody Hell. What a weekend. I’m not entirely sure I’m capable of putting it all into words, but I’ll certainly have a go. (more…)

  • My Complete GMX Schedule

    I’ll be in Nashville, TN from Friday to Sunday attending the Geek Media Expo. Here’s my complete schedule:

    Portal Party 2.0
    Friday, October 26th ▪ 8:00pm – 9:30pm, Palomino + Quarter Horse + Mustang rooms
    Last year, we both said a lot of things that you’re going to regret. But I think we can put our differences behind us. For science. You monster. Why don’t you just keep testing with GLaDOS? Ellen McLain, voice of GLaDOS from the Portal series returns to berate Portal players just trying to survive, and maybe cake? Better gaming, better decorations, better batteries, and an awesome hangout for Portal enthusiasts.

    Web Comics 101
    Saturday, October 27th ▪ 7:00pm – 8:00pm, Arabian Room
    Learn the ins and outs of the webcomic business with a Q&A from the industry pros. Featuring Ben Paddon, Scott Sava, Brian Patterson and Ethan Nicolle.

    PortsCenter – A One-Hour Look at Video Game Ports
    Sunday, October 28th ▪ 12:00pm – 1:00pm, Franklin Room
    British writer and geek humorist Ben Paddon talks about unique video game ports; games that have been converted for different systems. A blend of stand-up comedy and PowerPoint presentation.

    One Brit, Many Doctors
    Sunday, October 28th ▪ 1:00pm – 2:00pm, Quarter Horse Room
    Doctor Who discussion with British expatriate and geek humorist Ben Paddon. What qualifies Ben to speak with authority on this topic? He has the right accent.

    Please note that this schedule is entirely subject to change based on factors such as GMX shifting things around, or me dying. See you in Nashville!

  • Comic-Con Round-Up Exclamation Mark

    I almost never take photos these days. I don’t photograph my friends, because, y’know, they’re my friends. If I find myself wondering what my friends look like I can pick up a phone and say, “Hey, are you busy today?” If the answer is no, it’s usually less than an hour before we’re in each other’s company getting ready to go bowling or some shit. As the door opens and I see their grim visage, my concerns are abated. Yes, my mind says. He does still look like that.

    Most notably, taking photos cheapens a moment for me. It impinges on the memory of an event to have to stop, and pose, and contort my face into some grim position so as to make sure that my photo, or indeed someone else’s photo, doesn’t look like photographic evidence of some harrowing tea party populated by the damned.

    So it’s a little odd that I woke up this morning at just after 10am, having arrived back in Los Angeles from my single day in San Diego for their annual comic’d con, saddened by my lack of photographic evidence of the event. No photos of myself and Lar, talking and laughing about some manner of bullshit for upwards of thirty solid minutes. No pictures of my casually implying to the wonderful, wonderful people at the Blank Label Comics booth that Kris Straub may (or may not!) be offering blowjobs. No pictures of Kris Straub, for obvious reasons.

    I have no photos. Instead, all I have is memories. For the first time, that doesn’t quite feel like enough.

    I was only able to attend Comic-Con for one day this year, but I had the greatest convention experience of my life. Actually it may more accurately be described as the greatest convention experiences, being as it was made up of small (but important!) experiences that all add up to one whole.

    My personal favourite, though? My good friend Ray, who will be marrying his equally good girlfriend Michelle next year, asked me to be his Best Man. I have crippling self-esteem issues, and consider myself to be the worst man pretty much all year ’round, but I can tolerate being the best for a single day. My body can take it.

    What follows is five paragraphs about Penny Arcade. You may not like them. Or maybe you will! That’s not really my call.

    I spent rather a lot of time talking to the P’Arc’s Jerry Holkins and Mike Krahulik (mostly to Jerry) about a number of subjects, to the extent that casual observers might have thought us close acquaintances. I spoke to Jerry about how his writing, both in the comic and elsewhere, fires me up. It does. It inspires me. Over the last thirteen-or-so years he’s found his voice, and it is enchanting. I hope some day to find mine, and I hope it’s even half as brilliant as his.

    Jerry and Mike get a second bullet-point, because we spoke briefly about the Discovery. I raised a question at their Q&A (which I did not attend on purpose, but whatevs) about how the gaming press and PR machines, which are often one in the same, bombard us with pre-release information, generating false hype for games that, really, don’t deserve them. It is the job of PR people to get us excited for the shit their clients excrete, and game journalists appear to have taken part of that responsibility on themselves. Consequently, as people constantly buy into the hype, that sense of Discovery that we have playing new games as kids – coming home to find our parents have bought us some new thing to try on our computer boxes – is gone. Even in my teens I bought games I thought looked cool, ignoring magazines entirely.

    I wondered if the Discovery had died, and I was very happy to learn that not only did Jerry and Mike share my thoughts on the Discovery, but that Mike has been actively trying to restore (or rediscover) it by ignoring pre-release materials and promotional bullshit. It was nice having my opinions vindicated and even shared by the guys who last year employed a man who disagrees with my stance on literally every goddamn thing relating to the gaming press to run their gaming news operation.

    On the subject of their Kickstarter… look, I was pissed off on Day One. I tweeted about it a lot from my GameJournos account. Day two, which I think was Thursday, I woke up and realized I didn’t actually give anything even vaguely resembling a shit. I’m excited about the new content that Jerry and Mike want to get (as a huge, huge fan of their prohibition-era scifi setting Automata, the idea of getting more of that is positively appetite-whetting) and their Strip Search webseries looks like it may not be terrible either.

    Some seem to believe that replacing a serviceable revenue stream that has a noted, diminished impact on their personal creative output with another that lets them run riot is, in some way, counter to the very purpose for which Kickstarter was intended. I propose that Kickstarter could not have been designed for anything else.

    A few other Comic-Con points of interest:

    • MC Frontalot is earnest, approachable, and will listen to his fans ramblings. Specifically my ramblings. He was very polite.
    • My friend Heather’s Post-Apocalyptic Snow White costume looked incredible. I’d seen it when she was working on it, but that’s rather like looking at a souffle before it’s had a chance to rise. It looked incredible. I realize I have already typed those exact words, but they remain relevant.
    • I bumped into a short, round Asian man dressed as Catwoman. I was dressed as a Gotham City Impostors Batman. We had an awkward moment, then spent two minutes talking about our secret love for each other. That, too, was awkward, but fun. So that’s something.
    • My dad charged me with a sacred purpose – procure one of the Comic-Con exclusive The Hobbit posters. I failed, mostly because The Hobbit had, I don’t know, sixteen bloody booths at the con. That’s an exaggeration obviously (even a blind moron with severe developmental issues could see that!!), but finding the location to procure such a poster, if they were even still available, was not a task I was able to complete. Sorry, dad.
    • QMx have some incredible stuff on display, and I feel very privileged to have been working in the office as much of this stuff was in development. Two of the things they have that I didn’t get to see before the show, though, are the 1:6 scale TARDIS replica, and the model of the Enterprise-D from TNG, which looked positively lickable. (Andy, if you’re reading this, I did not lick the Enterprise-D.)
    • I regret every decision I’ve ever made in my life that led me to the purchase of a $5 convention center hot dog.

    Thus concludes this. I’ll be back to regular blogging next week, because that’s a thing I do now.

  • Tediculous

    Oh dear. It turns out Seth Macfarlane’s new movie, Ted, bears some similarity to a webcomic called “Imagine This“, leading cartoonist Lucas Turnbloom to believe he’s the victim of a rather unfortunate case of plagiarism. As if that wasn’t bad enough, Sam Logan of “Sam and Fuzzy” also believes Ted may be in part based on his comic. Oh no! That dastardly Seth Macfarlane. He thinks he can just take ideas he likes just because he’s preposterously rich, incredibly famous, and occasionally brilliant? The nerve of some people.

    My problem with all this, besides my unfortunate use of the word “bears” in the previous paragraph, is that I’m not terribly convinced that Ted is based on either of these comics in any way, shape or form. The “rude, crude, loudmouthed teddy bear” concept is far from new, as anybody who collects Bad Taste Bears or has played Naughty Bear will attest, and anybody whose ever sat and wondered what Calvin and Hobbes would be like if the eponymous child grew up will probably have gone down the “What if he’s a slacker and Hobbes is a jerk?” route.

    Even the Toy Story trilogy touched upon some of these ideas. These are not especially original or clever notions. If they were, I think Turnbloom and Logan would probably have to turn their weapons on each other – aren’t they both basically doing the same thing, after all?

    “A kid hugging a bear? I drew a kid hugging a bear! Get my lawyer on the phone!”

    What sets these ideas apart is execution, and as Ted hasn’t even opened in theaters yet we have zero basis for comparison other than a few trailers and some selectively chosen storyboard/screengrabs (a few of which are profoundly stupid). To point a finger and yell “Plagiarism!” before we even reach Zero Day, especially for such a general concept, strikes me as a kneejerk reaction to a potential non-problem. It feels very much like people are making a mountain out of flat terrain, here.

    Edit: As a testament to just how not-at-all-unique this idea is, my friend Jill just pointed me in the direction of another webcomic about a maladjusted teddy bear living with an adult male, called Rehabilitating Mr. Wiggles, which started in 1999 – almost a full decade prior to Imagine This.

  • Red Dwarf: Songs in the Key of Files

    I realised today that the Red Dwarf fan-comic that Kris Carter and I produced, “Songs in the Key of Files”, never really had a place to call home. I’ve alternated between linking to the DeviantArt gallery for the comic and the thread over on Ganymede & Titan where it was showcased, but I’ve decided it’s probably a good idea to have a local copy of the comic. I’ve also added it to my Resume, because I’m exceptionally proud of it.

    You can read “Songs in the Key of Files” here.