Category: Film & Television

  • A Day In The Life Of An Extra

    On Friday the wonderful people at Cut Above Casting told me I’d once again been booked as an Extra on Fox’s “Glee” on Monday, and gave me instructions to call the casting line on Saturday to find out what my call time was. I did this, and was slightly annoyed to find it was 7am. Fortunately it was at Paramount Studios in Hollywood, which is remarkably easy for my to get to, even without a car. All I have to do is hop on my bike, cycle down to the North Hollywood Metro Station, get the train to Hollywood & Vine, then cycle down to Paramount from there. It’s a doddle.

    Unfortunately it’s a doddle that requires me getting up at around 4am in the morning, using only my iPhone alarm (which has a tendency to not go off at all). My Dad suggested using my laptop as an alarm clock and that’s exactly what I did, but I hadn’t used it that way before and I didn’t want to hedge my bets, so on Sunday night I went onto one of the three forums I usually visit and posted this lovely message:

    Can someone call or Skype me at around 12:30pm BST?

    That’s 4:30am my time. My Skype handle is Squirminator2k, and all Skype calls are routed to my mobile phone if I’m not currently signed in.

    I trust none of you will, uh, abuse this power.

    I went to bed at around 10:30pm. My brain, being what it is (which is my brain, a buzzing, whirring, processing machine designed to come up wth brilliant ideas at inconvenient hours of the night), started buzzing and whirring and coming up with brilliant ideas at inconvenient hours of the night. 1am rolled by and I figured I’m not going to get any sleep under my own strength, so I popped a small blue sleeping tablet.

    After a few minutes I started to feel very, very heavy. And then everything started melting…

    Please Stand By...

    Alarms went off at 4am. I turned off one and hit Snooze on the other. I hit Snooze again at 4:09am, 4:18am, and 4:27am, wondering why whoever designed alarm clocks thought it would be a great idea to use nine-minute snooze intervals.

    At 4:30am my phone rang. The display informed me that the incoming call was coming from somebody named “Ben Paddon”. That struck me as a bit odd so I answered the phone…

    “Hello?”
    “Hello, it’s Marleen!”
    “Oh, hi!”
    [Something I didn’t really hear because I hadn’t woken up yet.]
    “I’m up!”
    [Something to the effect of ‘Oh, good.’]
    “Thank you!”
    [Something that might have been ‘You’re welcome.’]
    “Bye!”
    “Bye!”

    I decided to get out of bed, a decision I made again at 4:36am when my alarm let me know that I’d somehow fallen asleep after that incredibly engaging phonecall. I jumped out of bed, had a very brief shower, brushed my teeth, moisturized, threw on some clothes, and packed a change of clothing incase Wardrobe thought that the clothing I’d picked myself at 4:48am in the morning with all the lights turned off and my senses still trying to work out why I’m not dreaming about Captain Kirk wrestling a gorilla in a Very Special Episode of Blossom were somehow not good enough for them.

    By 5:05am I was ready to go. I put on my iPod, electing to listen to MC Frontalot on the way to the station, and sch-schoomed on my bike towards North Hollywood. I got there at around 5:50, and I was eventually on a moving train at about 6:10. At 6:20 the train arrived at Hollywood & Vine, and at 6:35 I was at Paramount Studios.

    I approached the gate silently cursing for cheating myself out of half an hour’s extra sleep. Turns out that I shouldn’t have been cursing myself at all – Security couldn’t find a visitor’s pass for me. I began to panic – I did remember to call the casting agency back and confirm I was coming, didn’t I? Oh Glod, what if I didn’t? What if I’m not confirmed for today? Did I cycle all the way down here for nothing?

    At this point another regular Extra, Caleb, walked into the gate, and security couldn’t find him on the system either. Caleb said he’d definitely confirmed, and my worry began to wane a little. Then the security guard gave me the second best news I had all day:

    “Sorry guys. Our system crashed last night and I guess it’s still down. You guys just go on in.”

    “But, the turnstile isn’t turnstiling.”

    “Just push it halfway and slide through. You guys are pretty skinny.”

    People, Monday would have been a great day for you to sneak onto Paramount’s set.

    I got into Extras Holding at 6:50, which is where they keep the Extras when they’re not in use, and signed in. This was it – I’d made sure I would get there on time, and I was prepared for a day of standing around on set, pretending to talk, or drink, or walk, or whaveer. It was going to be fantast–

    Please Stand By...

    We spent most of the day sat in holding, which at one point moved from the backstage area we were in to Glee’s High School Hallway sets. I think we were only used for three shots. We spent the majority of the twelve hour day sat in holding. I’d brought my laptop, so Paramount essentially paid me to play Worms Armageddon, and to occasionally check my Facebook profile. Just like every other employee I’ve had, then.

    It was, in all honesty, great to be back on set. Being an Extra is sometimes an incredibly thankless job – you get yelled at, you get shepherded around like livestock, you get simple instructions repeated to you six or seven times because sometimes an AD will assume that each and every Extra on set is a gibbering moron with all the mental power of a Cornish Pasty. But working on Glee is a completely different experience. The crew really seem to care about the Extras. They’ll chat with us, they’ll have fun, and they try to make our time on set as comfortable and as easy as possible. The cast are brilliant, too – I had a couple of conversations with the awesome Josh Sussman, during which I was trying to work out whether he was naturally kind of skittish or if he was just very in-character.

    Glee probably isn’t the sort of show I’d want to watch (although I won’t know until the pilot airs on May 19th – for all I know it could be brilliant), but it’s definitely the sort of show I want to work on, and to keep working on. Everybody’s focused on their work, but they’re clever enough to want to have a good time while they do it. If only every production could be this fun.

  • Positive Jump Leads press

    I just posted a long and slightly lazy review of Red Dwarf: Back To Earth, which aired in the UK over the Easter weekend, over on the Jump Leads site. Also, while I’m here, how about I throw you you a link to a very positive review of Jump Leads Issue #3: Trojan Horse?

  • Concerning Endings

    There have been a few endings in the past couple of weeks. The big one, the one people likely care about, is the end of the SciFi Channel’s flagship series, Battlestar Galactica. I caught the ending on Saturday night via Amazon Unbox* and I absolutely loved it. Without wanting to ruin it for anyone, it didn’t tie up all of the loose ends. And, y’know, I actually prefer series finales like that – real life doesn’t let you tie up all the loose ends. Real life doesn’t answer the questions. Real life won’t explain to you why your son asks you for nothing but a red ball for his birthday every year. So frankly, I’m glad there are still some elements of BSG that remain mysterious. If Ronald D. Moore and his team of wacky sidekicks had chosen to give us all the answers then, well, we’d have nothing to talk about.

    The other ending that came recently was, of course, our own Boomer’s Day Off, which concluded back on the 19th. You may have already watched the ending but if you haven’t, here it is. The response to the finale has been somewhat mixed, but one of my big annoyances so far has been the number of people who were pissed off that Frank the Tank never made an appearance but, honestly, what did you expect? It should’ve been clear from Part One that we were hardly blessed with an overabundance of money, and squeezing the Tank in – be it a costume, or CG, or whichever – is very clearly not within our budget.

    There have been other concerns raised, which I’m sure Michelle and I will be addressing in a future video update of some sort.
     


    * As an aside, Amazon Unbox’s download client is infuriatingly slow, and the online streamer likes to stop and buffer the video eery eight-to-twelve seconds. I’d shifted from iTunes to Unbox because I wanted my videos in a format I could watch on my Xbox 360, but the next time I decide to buy a show online I may have to defect back to Apple’s crappy software. It may obfuscatory and unreliable, but at least it downloads videos at a halfway decent speed.

  • “We Ain’t Found Shit”

    I recently decided to have another look at scifi-comedy, past and present. There’s a lot of it I’m already familiar with – Red Dwarf and The Hitchhiker’s Guide To The Galaxy are not only what I consider to be pinnacles of the genre but are also at the top of my list of favourite novels and TV shows, and the Back To The Future trilogy is, I think, the best trilogy ever commited to film – but there’s some stuff I haven’t seen. I’ve only seen about four episodes of Hyperdrive for instance, and although it’s not fantastic it’s hardly as bad as most Red Dwarf fans seem to think.

    A big example of scifi-comedy, one that has always been recommended to me, is Spaceballs. I’m a fan of Mel Brooks and yet I’d never seen this film. Thankfully it’s on Netflix’ Watch Instantly service, so I added it to my queue and loaded it up on my Xbox.

    Oh dear.

    It’s one of those films that I imagine was rip-roaringly funny when it first came out, but the entire thing felt really badly hewn together. The jokes were flat and uninspired, leaving me feeling that the horrendous Date Movie would have been a better choice – I laughed once during the entire film, and that was when Tim Russ, whilst combing the desert, angrily declared that he had been thus far unable to locate anything with his giant comb.

    He was a little more succinct with his report.

    The conclusion I drew from this was that Spaceballs is a terrible, terrible movie. I’m sure it wasn’t once upon a time, but now it’s awful. This film, this terrible catastrophe of a motion picture, left me wondering if Mel Brooks has ever been as funny as I thought he was. The first film of his that I saw as a kid was Robin Hood: Men In Tights, which I adored, but that hasn’t aged well either. Was I wrong? Has Mel Brooks always been terrible?

    I inadvertantly found myself watching The Producers two weeks later. I was, in fact, trying to watch the fourth season of Curb Your Enthusiasm, the last episode of which contains some chunks of the Broadway musical (season four sees Larry David getting cast in the show by Brooks and partially revolves around the rehearsal process). I watched…

    …and I laughed. A lot.

    And my faith was restored.

    Earlier this week I picked up Blazing Saddles on DVD. This was my favourite Brooks film until I’d seen The Producers, and once again I find myself too scared to watch it. I don’t want to ruin the memory I have of it being a fantastic, funny film. I ruined ThunderCats by going back and re-watching it on DVD. I ruined Mighty Morph’n’ Power Rangers by watching clips of it on YouTube. Somehow clinging on to the nostalgia is more important to me than trying to prove myself that the film was worth watching the first time ’round.

    Y’know what? I think I’ll watch it tonight. Hopefully it’s still funny. Dear Glod, I hope it’s still funny.